Posts tagged Tutorial
My favourite art supplies for floral watercolour painting
 
mathilda-lundin-art-supplies-for-floral-watercolour-painting.jpg
 

I often get questions about what art materials I use for my floral paintings, so I thought I’d list some of my favourites here. I’m a firm believer that part of finding your style is experimenting with different materials so I hope you’ll find some supplies you love here. I’ll write a bit about the tools I love in each section and link to the specific tools I’m talking about below.

Just to note that some of the links in this blog post are affiliate links. I would never let this impact which tools I recommend, I’m only sharing my absolute favourites here. But using them means that, to no extra cost to you, you help me keep creating inspiring and helpful content for you like this guide.

WATERCOLOUR & GOUACHE PAINTS & PALETTES

For watercolour I love the paints from Winsor & Newton and Daniel Smith and tend to use only the professional artist quality paints. They cost quite a lot more than the Winsor & Newton Cotman range but the pigment is so much richer (which means I don’t need as much pigment) and the paint goes on smoother. That said, if you’re just starting out or don’t want to splurge the Cotman series is a wonderful more budget friendly alternative. For gouache I pretty much only use Winsor & Newton Designer Gouache.

With paints you can either buy them as tubes or pans. When I started out with watercolours I got a palette with pans from Winsor & Newton and it was an excellent starting point. You get a palette with colours to get started straight away and they’re very easy to transport. If you like to paint quite small I find these work well with a small brush and I still like to use these when I travel.

But my absolute favourite way to work is to buy paints in tubes and create my own palettes. I simply fill the empty pans with the colours of my choice from the tube and then let them sit to dry over night. I find drying them this way before using them by re-wetting them helps me control the amount of paint I pick up with my brush. For my looser florals I love using large brushes and want lots of space for mixing colours. I love using my John Pike palette for these. For my more detailed botanical paintings I have a smaller palette. I love this method so much I have done the same with a palette of gouache.

Paints (tubes & Pans)

Winsor & Newton Professional Watercolour Paint

Winsor & Newton Cotman Watercolour

Daniel Smith Watercolour Paints

Winsor & Newton Designers Gouache

Palettes

John Pike Watercolour Palette (my large palette)

Mijello Palette (my smaller palette)

Winsor & Newton Professional Quality 24 Half Pan Set

Winsor & Newton Cotman 14 Half Pan Set

BRUSHES & PENCILS FOR SKETCHING

For brushes I think a couple of round brushes should be part of your essential kit. Then I like to add a couple of different styles that I can use for different types of mark making in my paintings. I like using the Pro Arte Renaissance Sable brushes in smaller sizes (from 3/0 to about 6) for more detailed paintings. For my looser paintings I have a range or larger brushes ranging from synthetic alternatives to a beautiful Da Vinci quill mop style brush. In general smaller brushes tend to be easier to control but I love the larger ones for looser styles. For me these are so much about trying some different ones and finding what you enjoy using. I’m linking some of my favourites below.

Round brushes (a great set of sizes for more detailed or smaller paintings)

Pro Arte: Renaissance Sable Watercolour Brush Size 3/0 (for the teeniest of details)

Pro Arte: Renaissance Sable Watercolour Brush Size 0

Pro Arte: Renaissance Sable Watercolour Brush Size 2

Pro Arte: Renaissance Sable Watercolour Brush Size 4

Pro Arte: Renaissance Sable Watercolour Brush Size 6

Larger brushes for loose florals

Pro Arte: Prolene Plus Size 10

Princeton Neptune: Oval Wash Size 1/2 in

Princeton Neptune: Oval Wash Size 3/4 in

Da Vinci: Petit Gris Pur Size 4 (mop style brush)

My favourite pencils and fountain pen

For drawing and sketching I have a lovely fountain pen with carbon ink that you can add refills to. I just love drawing with ink, there’s something about not being able to erase it that I really enjoy. And for my loose paintings I rarely sketch onto the watercolour paper. But for my more detailed paintings I do a very faint sketch with a graphite pencil. You want to make sure it’s super light so you can erase the lines after your painting is dry.

Platinum Carbon Drawing and Drafting Fountain Pen

Faber Castell F (my favourite for faint drawing onto watercolour paper)

Muji Mechanical Pencil

WATERCOLOUR PAPER & SKETCHBOOKS

I love painting on loose sheets of paper rather than watercolour blocks and my favourite brand is Fabriano Artistico. I like the texture of the not press for loose florals where I use more water and the hot press for more detailed paintings.

For loose floral sketches I use a sketchbook from Seawhite of Brighton that is 140 gsm. If you use a lot of water with your watercolours it’s probably worth getting a sketchbook with watercolour paper. But for me this is perfect for loose sketches using gouache. And since it’s just a sketchbook I don’t mind if the paper buckles a bit or it isn’t perfect.

Fabriano Artistico, not press

Fabriano Artistico, hot press

Seawhite of Brighton Sketchbook


I hope that is helpful and not too overwhelming. I use quite a few different materials and wanted to make sure to include options depending on what type of painting you want to do and how much you want to spend on materials. Let me know if you have any questions.

Pin for later

 
mathilda-lundin-art-supplies-for-floral-painting-pinterest.jpg
 

Related posts

How to use the Finetec palette for pointed nib calligraphy

 If you're into Modern Calligraphy, and have been looking for something to give your work that extra sparkle, you've probably come across the stunning metallic palettes by Finetec (sometimes knows as the new name Coliro). They have a beautiful range of colours ranging from gold to silver to beautiful rose metallics. With their ingredients of gum arabic and mica-pigments they come out beautifully opaque on both light and dark surfaces. 

But here's the thing that might seem tricky at first sight. They're neatly packaged in little palettes, that looks more like watercolours than a ready to use ink. How do you get the ink from the palette onto your nib without dipping it? Don't worry, it's a bit more of a process than a ready to use ink. But the results are absolutely stunning and well worth the extra effort.
 

Here's what you'll need

  • Finetec colour of your choice

  • Your favourite nib and penholder

  • A small brush

  • A jar of water

  • Some paper to write on

 
mathilda-lundin-finetec-palette-calligraphy-tutorial-tools.jpg
 

First you add some water to the pigment, let it sit for a couple of seconds or so to let it soften up a bit. After that you want to start to gently mix the water with the pigment. You're looking for a milky consistency (on the top layer, the pigment below is still solid). I usually go between my water jar and the palette a few times. If the ink isn't flowing smoothly I add more water. If I end up with a too watery consistency I just let it sit for a while and let the pigment go back to a more solid state. So experiment and see what consistency works for you. 

When you're happy with your ink mix you load up your brush and gently paint on the ink on the underside of your nib. Make sure to fill up the reservoir by looking at when the hole is completely covered with ink. And that's it, you're ready to do some sparkling beautiful calligraphy!

Hope you found this tutorial helpful and please feel free to share it with anyone you think might find it interesting and inspiring.

Experiment, have fun and write something beautiful! And please tag me on Instagram (@mathildalundin) to show me what you've created xx

Pin for later

 
mathilda-lundin-finetec-moon-gold-pointed-pen-calligraphy-tutorial.jpg
 

Related posts